On Wednesday night in Nashville, more than two dozen artists and musicians, representing country’s richly diverse past and present, ignited the stage forCountry Music: Live at the Ryman, a PBS concert special that will air in late August or early September to support Ken Burns’ new epic documentary on the genre.
Vince Gill, Marty Stuart and Ricky Skaggs.Erika Goldring
You can expect both programs to send a message to millions of viewers that so many country fans already know: There’s something here for everyone.
“It doesn’t matter if you start with [1920s artists] Gid Tanner and the Skillet Lickers orFlorida Georgia Line,” master musician Marty Stuart said at a media event before the sold-out show at Ryman Auditorium. “Just get in and start looking around, and you will find somebody and some song and something that applies to your life.”
Marty Stuart, Ricky Skaggs and Vince Gill (background).Mark Humphrey/AP/REX/Shutterstock
For close to three hours, Stuart joinedDierks Bentley,Vince Gill,Ricky Skaggs, Rosanne Cash, Rhiannon Giddens and many more to prove his words with 18 of country’s most timeless classics. The concert will be trimmed for broadcast for what will amount to a two-hour preview and promotion of “Country Music,” the 16½-hour documentary set to begin airing on Sept. 15.
In the documentary’s telling of country’s decades-long history, the music itself will have to share substantial time with interviews and narration. But on Wednesday night, the music was the star attraction — and it proved it can tell country’s story well on its own.
Ketch Secor and Rhiannon Giddens.Mark Humphrey/AP/REX/Shutterstock
Song after song took the audience on a grand tour around country’s mammoth tent of trends, eras and subgenres, through cowboy music, western swing, bluegrass, honkytonk, the Nashville Sound, the Bakersfield Sound, Outlaw country and beyond.
And there was no better place for these performances than the “Mother Church of Country Music,” the very stage where Bill Monroe birthed bluegrass music in 1945. His direct musical descendant, Country Music Hall of Famer Ricky Skaggs — with help from Stuart and fellow Hall of Famer Vince Gill — honored Monroe with a lightning performance of his “Uncle Pen.”
Mark Humphrey/AP/REX/Shutterstock
The evening’s roster highlighted the strong family ties that bind country together.Holly Williams,granddaughter of Hank Williams and daughter of Hank Jr., was tapped to cover her “Hillbilly Shakespeare” grandfather’s exquisite “I’m So Lonesome I Could Cry.”
Earlier in the day, she confessed it took her a while to grasp the monumental significance of her grandfather’s short-lived career, which ended, when he was just 29, in 1953. “I grew up with a dad who was so famous that I thought Hank Williams was like an old guy who sang the ‘Hey, Good Lookin’” song,” she said at an afternoon media event. Participating in the documentary, she said, “is the way I get to learn about my family, their impact and the history.”
Vince Gill and Roseanne Cash.Erika Goldring
Rosanne Cash represented another significant branch of country’s family tree, singing her fatherJohnny Cash’s wistful “I Still Miss Someone,” a song, she explains in the documentary, that was pivotal in healing her turbulent relationship with her dad.
Her backstory simply underscores country music’s power, as well as the reason that Burns (who was a host for the concert) tackled the subject in the first place.
“I think the most surprising thing, once we got into this warm bath, is why haven’t we done it before?” he said at the media event. “It seemed to be the kind of storytelling that’s firing on all cylinders, the kind of thing that reflects a complicated and nuanced, sometimes controversial, sometimes dark, as well as light and joyous [history].”
The concert concluded with the entire cast retaking the stage for a rousing rendition of country’s unofficial “national anthem,” the Carter Family’s “Will the Circle Be Unbroken,” and the audience lustily joined in on the familiar chorus. When a bobble with the videotaping required everyone to sing the whole thing again, no one seemed to care. After all, who wanted this night to end?
Ken Burns at the Ryman.Mark Humphrey/AP/REX/Shutterstock
The broadcast date forCountry Music: Live at the Rymanhas yet to be announced, but it will precede the documentary, which will air Sunday, Sept. 15, through Wednesday, Sept. 18, and Sunday, Sept. 22, through Wednesday, Sept. 25, at 8 p.m. ET on PBS stations.
source: people.com
