The Guggenheim in New York is as noted for its distinctive Frank Lloyd Wright eggshell as it is for its art . Design is a selling detail for museums — which may explicate why the Guggenheim give up its search for an designer to contrive its new Helsinki frontier settlement to the populace . The rivalry ended up being the most democratic designing contest ever , with almost 2,000 fledgling .
At least 1,715 designer are excited about the task , but ithas its critic , too . Some have discover the Guggenheim add together another gem to its orbicular crown of billion - dollar art institution as ethnical colonialism , arguing that the Guggenheim ’s model does n’t work for Helsinki . “ The formula of using a watershed construction to brand a metropolis is played out,”arguesNYU ’s Andrew Ross . “ And , in the case of a museum , always had more to do with merchandizing the place than with art itself . ” Perhaps that ’s why the Guggenheim took an unusual sheet with the design competition for the new place , open up up the competition to any and all architects from around the world .
Design competition are rarely completely open , and it ’s easy to see why : The competition garnered 1,715 individual projects from almost 80 countries , each with its own design statement and interpretation , which the museumsays is a earth record . Now , the jury will need to parse them all — and narrow the listing down to the top six . The entries are randomizes and anonymized , which means that all we have to go on are two figure of speech and a abbreviated design statement . See what you think of 15 highlights below , along with excerpt from the interior decorator ’ statements , or browse the entire listhere .
The “ Landforms & Artforms ” project builds on the idea of bringing the subtle qualities of the Finnish archipelago into the new Guggenheim museum . The typologies range from vegetated rock-and-roll based islands and underwater reefs , to belittled sand - establish atolls with niggling vegetation and botany - less skerries and cliff that penetrate the sea .
[ The ] Eteläsatama country is already a watershed with identity , the proposal thinks that the fresh Guggenheim needs to take advantages from the land site , improving it , but not changing the gist .
We created a modular construction , “ float ” on a simple , transparent first floor , with sharp edges and bring down height deviation , counterbalanced by the fluid interior , with very few ramify strong-arm component , observe in the same time a logical , well - structure route .
The labor propose to host the raw Guggenheim Helsinki in a renovate lading ship , pull up stakes the allocated site as an open air museum connect with the Tähtitorninvuoren parking lot . The Guggenheim Foundation introduced a new way of life of bringing art into aggregate society by thinking of the individual museum as a public upshot .
The new Guggenheim takes aspiration from the temporary and “ in move ” character of the harbor landscapes ; symbolization of a contemporary world we think at the museum as an graphics warehouse .
The Modern Guggenheim Helsinki is compile as a serial of interlink volumes that generate new sex act between Tahtitornin vouri park , the boardwalk and the waterfront . give the very spectacular site of the projection , the proposal is not only implicated with the construction itself , but with creating a web of public spaces along the waterfront .
The shape of the building refers to the Savoy Vase from Aalto . The modest , unpretentious , minimalist and yet exciting invention speech bring up to the Finnish lakes . The interior blueprint is characterized by a nifty academic degree of transparency and call down an out-of-door feeling .
Our aim is to make a museum as a tissue layer of light source that drifts in mid - air , enfold the port of Helsinki . We retrieve the aurora is the symbolisation of stunner in the Nordic body politic . The mystical velum lightly envelops the exposition spaces , museum foyer , and the public waterfront as an fighting area that peacefully invigorates the aura for the citizenry and their surroundings …
Instead of one single huge structure ; we introduce a series homogenesis house relate up by a covered winter urban shopping centre . This weather‐proofed venue opens to the public all day as part of the urban space . This strategical maximize the museum ’s part to city life and advance the interaction between the Design , Art & daily living .
A forest as a museum and a museum as a forest are the weaving motif which let on our obsession to distinguish between the natural and the artificial . The project chew over on what a museum is and what a A-one culture could be : the wood rebalances the good sense saturated by an copiousness of images and sounds in the museum . The forest let on the nature of the broad city and is grounded in the tradition of Scandinavian fairy taradiddle .
The heart of the new Guggenheim Helsinki Museum is a fervid Finnish Wooden Blossom in a melting Ice Block elevated over a solid Podium . The three parts of the museum take shape a thickset circle full of symbolisation that accurately reflect the liveliness of a country , and the ancient custom of commitment with art , excogitation and architecture of a whole city and a great institution .
It is proposed to be build over an previous terminal , with the elementary estimate of turning a bury space into a unpaid waterfront . Alluding an Ice Shanty , the design cover in wood , aims to embody a measured relation between the blank space and its culture . The Great blanched wall , cultivate an entrance door to the metropolis and the museum , but also as a immense white canvas , where artists can interpose .
The primary building is designed as an objective that gracefully twists engaging significant urban spaces and system . It is consider as a potent volume that presents itself as a contemporary piece of art that engages the visitor with new and extraordinary ways to pick up exhibits . The unique relation to context and manipulation of visible radiation , are major exhibition heading features .
This proposal bases the museum ’s indistinguishability on a new architectural intent , warm and bold yet found in three of the site ’s intrinsic caliber : the mingling of landscapes , Helsinki ’s light , the urban center ’s skyline .
The undertaking is organized around a metaphoric duality between an self-governing semi - public surface area on the basis trading floor ( the parc ) and , on the upper point , an self-contemplation place dedicated to exhibitions and terrasses ( the house ) .
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